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Their back­drop is the New York City sky­line and One World Trade Cen­ter, which was for­mer­ly known as the Free­dom Tower, and which, upon com­ple­tion, will be the tallest sky­scraper in North Amer­i­ca, 1,776 feet high with its mast.<p>Peter Mar­tins, NYCB bal­let mas­ter in chief, called dance a “pow­er­ful uni­ver­sal language,” and said NYCB is “deeply hon­ored to be able to present this remark­able and touch­ing per­for­mance of Christo­pher Wheel­don’s <i>After the Rain</i> to peo­ple both here in New York, and all across the globe.”<p>Mar­tins also said that “like the rest of the world, every­one at New York City Bal­let was deeply affect­ed by the events of 9/11. Now, 12 years later, as a revi­tal­ized World Trade Cen­ter site begins to reemerge, the New York City Bal­let would like to offer this film as a gift to our great city.”<p>On Sep­tem­ber 11, 2001, NYCB was on a Euro­pean tour and sched­uled to per­form that evening at the Verdi Fes­ti­val in Parma, Italy. Mar­tins ulti­mate­ly decid­ed to can­cel the per­for­mance because “there were still so many ques­tions about what was hap­pen­ing in New York, and still so many fam­i­ly mem­bers and friends unac­count­ed for…it was sim­ply not pos­si­ble to ask the dancers to per­form that evening,” he said.<p>Address­ing the audi­ence in Parma on Sep­tem­ber 11, 2001, Mar­tins said, “We came here to dance, it is what we do, but our hearts are break­ing and it is sim­ply not pos­si­ble for us to per­form this evening. 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