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This material could allow us t0 explore space much further than we can now.\"Melchiorri's Silk Leaf project, which he developed as part of the Royal College of Art's Innovation Design Engineering course in collaboration with Tufts University silk lab, consists of chloroplasts suspended in a matrix made out of silk protein.Chloroplasts\"The material is extracted directly form the fibres of silk,\" Melchiorri explains. \"This material has an amazing property of stabilising molecules. I extracted chloroplasts from plant cells and placed them inside this silk protein. As an outcome I have the first photosynthetic material that is living and breathing as a leaf does.\"<b>Related story:</b> \"Growing a city from the bottom up\" could save the human raceChloroplasts suspended in silk proteinLike the leaves of a plant, all Melchiorri's Silk Leaf needs to produce oxygen is light and a small amount of water.Silk Leaf lamps by Julian Melchiorri\"Silk Leaf is the first man-made biological leaf,\" he claims. \"It's very light, low energy-consuming, it's completely biological.\"Visualisation of a photosynthetic facade by Julian Melchiorri\"My idea was to use the efficiency of nature in a man-made environment,\" he explained. \"I created some lighting out of this material, using the light to …","rssText":null,"sourceURL":"http://www.dezeen.com/2014/07/25/movie-silk-leaf-first-man-made-synthetic-biological-leaf-space-travel/","feedTitle":"Dezeen » Technology","feedUrl":"http://www.dezeen.com/technology/feed/","hideOnCover":true,"inlineImage":{"mediumURL":"http://static.dezeen.com/uploads/2014/07/Silk-Leaf-by-Julian-Melchiorri_dezeen_01_644.jpg","smallURL":"http://cdn.flipboard.com/dezeen.com/b81a075ead169ddf228abc497739311f78c32344/thumbnail.jpg","original_width":644,"original_height":431,"original_hints":"color,focus-322-215,light,photo,rgb-132-186-59,still,main-image,main-image"},"language":"en","rssBaseURL":"http://www.dezeen.com/2014/07/25/movie-silk-leaf-first-man-made-synthetic-biological-leaf-space-travel/","rssCustomClasses":"sysen","articleStats":{"words":405,"paragraphs":21,"characters":2554},"authorDisplayName":"Ben Hobson","userid":"fl:dezeen.com","referredByItems":[{"type":"status","authorDisplayName":"Melissa Sterry","authorUsername":"melissasterry","userid":"48460276","authorDescription":"Design Scientist and Futurist","authorImage":{"smallURL":"http://cdn.flipboard.com/uploads/avatar/0ca9202dedf5115928a064b7c07e09627ac5740c.jpg"},"text":"","urls":["http://www.dezeen.com/2014/07/25/movie-silk-leaf-first-man-made-synthetic-biological-leaf-space-travel/"],"service":"flipboard","remoteServiceItemID":"3AbJnnxVQZKflAkzlQgp4g:a:48460276","dateCreated":1406369687,"ingestionTime":1406489692,"sectionLinks":[{"type":"author","service":"flipboard","remoteid":"auth/flipboard/user%2F48460276","title":"Melissa Sterry","private":true,"linkType":"user","username":"melissasterry","userID":"48460276","image":{"smallURL":"http://cdn.flipboard.com/uploads/avatar/0ca9202dedf5115928a064b7c07e09627ac5740c.jpg"},"description":"Design Scientist and Futurist"},{"type":"magazine","service":"flipboard","remoteid":"flipboard/curator%2Fmagazine%2F0_qreBiRR7WDXQPkgv9x2w%3Am%3A48460276","title":"Bionic City","referringText":"Bionic City","image":{"smallURL":"http://cdn.flipboard.com/architizer.com/4a8312415dad8a533a0d214f48e0b79d43da06e7/large.jpg"}}],"id":"flipboard-3AbJnnxVQZKflAkzlQgp4g:a:48460276-1406369687"}],"service":"flipboard","remoteServiceItemID":"3AbJnnxVQZKflAkzlQgp4g:a:48460276","dateCreated":1406369687,"ingestionTime":1406489692,"flipboardSocialId":"flipboard-3AbJnnxVQZKflAkzlQgp4g:a:48460276-1406369687","sectionID":"flipboard/curator%2Fmagazine%2F0_qreBiRR7WDXQPkgv9x2w%3Am%3A48460276","time":49,"count":3},{"id":"flipboard-4dCMp_rFQ66fnqTY4OwyRw:a:48460276-1406369519","hashCode":239474246,"sortValue":31097188962387,"type":"post","title":"IABR–2014–URBAN BY NATURE– Part 2: The Urban Metabolism","excerptText":"<i>IABR–2014–URBAN BY NATURE–</i>, the sixth edition of the International Architecture Biennale Rotterdam (IABR), claims that we can only solve the world’s environmental problems if we solve the problems of the city.Looking through the lens of landscape architecture, <b>IABR–2014–</b> redefines the way we deal with urban challenges by analyzing the relationship between urban society and nature, and between city and landscape.<br>This edition of the biennale argues that cities are an integral part of huge urban landscapes, complex systems that have become our natural environment. 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Maybe what we need aren’t redesigned desks, but completely redesigned offices that help us move.<p>A design from architects at RAAAF and artist Barbara Visser takes a new approach: Instead of the usual desks and chairs and cubicles, this office looks like a giant rock, full of nooks and spaces to climb and work. “This vision presents a radical break with regular office furniture and current working models…which all are still based on sitting,” the designers, based in the the Netherlands, write. “This is a first step towards a future in which standing at work is the new norm.”<p>No one in the office would have a regular desk, which would keep people moving throughout the day. “It’s designed out of a thousand different possibilities for working in positions between standing and laying,” the designers say. “The key is that the sculpture’s affordances stimulate people to take up different working positions during the day. 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Littlehampton has acquired yet another architectural gem, with this performance space and sheltered seating area by Flanagan Lawrence architects joining projects by Thomas Heatherwick, Asif Khan and Studio Weave (+ slideshow).The Acoustic Shells were designed by London studio Flanagan Lawrence to facilitate community events and provide residents of the West Sussex town with a scenic resting spot on the edge of a sunken garden, between the town and a beach facing the English Channel.<b>Related story:</b> The Longest Bench by Studio Weave\"Prompted by a desire to reinvigorate Littlehampton with its gentility of the early 20th century, the shells materially enhance the public open space of the adjacent greensward and satisfy an essential social need that is not provided elsewhere in the area,\" said the architects.The curvaceous shapes of the structures were influenced by the undulating sand dunes found along the local coastline and were produced by spraying concrete directly onto a reinforced mesh framework.A double-curved form enables the canopies to rise up from the ground without the need for additional supporting pillars or formwork.Flanagan Lawrence developed the design after winning an architectural competition organised by Littlehampton Town Council in 2012. 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